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夺命六小时  

别名: 夺命六小时

剧情介绍

在核反应堆爆炸前,一个年轻人只有六个小时的时间和他最好的朋友从家乡逃走  展开全部

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  • 2019 9.0

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  • 2021 3.0

    我爱喵星人

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  • 2015 5.0

    234说爱你

    简沛熏(林依晨 饰)刚刚走出校园走进社会,满心以为自己能够凭借努力和智慧打拼出一片属于自己的天空,哪知道却因为没有后台而连面试的机会都得不到。接踵而至的失败和挫折令简沛熏心灰意冷,唯有男友阿泽(简宏霖 饰)成为了她心灵获得温暖的最后的港湾。 然而,就连这个港湾也即将离她而去了,阿泽应征入伍,即将开启为期数年的军旅生涯,这也就意味着两人在未来的几年里只能遥遥相望,做一对甜蜜又苦涩的远距离情侣。在简沛熏最脆弱和无助的时候,一个名为李曜(秦昊 饰)的男人出现在了她的身边,李曜是一名珠宝设计师,成熟稳重的他带给了简沛熏不一样的感觉。©豆瓣

  • 2016 7.0

    附魂女大屠杀

      Shelly needs to catch a killer in order to prove her innocence in her brother's murder. Along the way she meets love, sorrow, and prosecution. A journey of self perception as she finally realizes her destiny.

  • 2015 9.0

    黄河在咆哮

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  • 2004 8.0

    逼上梁山

      北宋嘉佑年间,大奸臣太师蔡京用女婿梁中书搜刮掠夺的一批民脂民膏作为“生辰纲”,预备送到京城汴梁为岳父祝寿。谁知中途消息走失,山东郓城县东溪村仗义豪杰晁盖会同好友“智多星”吴用、“母夜叉”孙二娘和阮氏三兄弟等,设下妙计,劫走了这批不义之财,准备暗中分发给穷苦百姓。                                                                      消息传到郓城县衙,正赶上县太爷蔡九不在,县衙宋押司宋江把朝廷派来的陈二和他的手下安排到杏花楼,请来自己多年的红颜知己阎惜娇歌舞侍侯。与此同时,宋江让在狮子坡和孙二娘开客栈的张青火速赶到东溪村报信。第二天,陈二和他的手下在东溪村被晁盖、张青、“母夜叉”孙二娘等人系数铲除。                                                                      孙二娘虽生性泼辣,但丝毫不碍她二八年龄的青春靓丽。尽管县衙姚捕头早知道孙老伯将闺女许配给了张青,但对孙二娘垂涎已久的姚捕头还是请杏花楼鸨儿阎惜娇出面说媒。姚捕头和宋押司宋江同在一个衙门共事,宋江又是对自己有恩的红颜知己,阎惜娇抹不开面子,硬着头皮请来孙老伯,却不想让姚捕头三拳两脚给打死。                                                                      爹爹命丧杏花楼,孙二娘和张青自然不能饶过姚捕头。为了不惊动县衙,宋押司宋江心生一计,让姚捕头在孙老伯的墓前得到了应有的下场。姚捕头的死,算是给郓城县除了一害。但姚捕头死后不久,京城太师蔡京就给儿子蔡九物色了一个新的捕头张文远。凭着一身好功夫,张文远被蔡京收下,做了蔡京门下的一条看门狗。                                                                      其实,蔡京给儿子物色张文远做县衙捕头,远不止维持县城秩序,抓个小偷逮个贼那么简单,蔡京和儿子想通过张文远招安水泊梁山的晁盖,推翻朝廷。张文远上任不久,就和杏花楼的鸨儿阎惜娇勾搭成奸。就在阎惜娇和张文远在温柔乡里把宋江忘到耳朵背后的时候,宋江背着晁盖托石秀送来的一百两黄金,醉醺醺地奔杏花楼而来。                                                                      躲是来不及了。没想到藏在幔帐后面的张文远,把宋江和阎惜娇的一番话听了个真真切切。张文远借宋江之手,致阎惜娇于死地后向蔡九邀功请赏,并密谋如何铲除宋江和梁山上的晁盖人等。为了让宋江能归顺蔡九,张文远绑架宋江的父亲相挟持。谁想宋老太爷宁死不屈,撞墙而死。                                                                      蔡九以宋江私通梁山的罪名,择日问斩。消息传到狮子坡,孙二娘、张青、石秀、时迁等人决定在前往法场的路上,出手相救。张文远诡计多端,孙二娘等人中计遭伏击。幸亏柴大官人率队及时赶到,一场恶战后,蔡九和张文远双双殒命。事已至此,官逼民反。在宋江的带领下,孙二娘等人撤起替天行道的大旗,浩浩荡荡朝梁山而去。

  • 2022 2.0

    重阳奇妙游2022

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  • 1948 7.0

    欧洲的某个地方

    Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

  • 1994 3.0

    弱杀

    生来就在智力方面有缺陷的女孩阿明(钟淑慧饰)因为家庭突遭变故,无奈之下进入了庇护工厂,成为了打工妹,在工厂里,阿明结识了名叫阿乐(卢敏仪饰)的社工,随着时间的推移,本来对自己的工作早已经心灰意冷的阿乐被阿明的善良和乐观所感动,找到了人生新的方向和希望。 近日来,工厂周遭频频发生色魔奸杀无辜少女的惨案,尽管警察步步追击,但依然苦于没有证据而无法破案。原来,此色魔不是别人,正是庇护工厂里的督导员亚伟(吴毅将饰),而他的下一个目标竟然是纯洁的阿明。就这样,阿明惨遭玷污,之后,亚伟落网,可是,作为唯一的证人,阿明却因为恐惧和羞耻而无法作证,亚伟被无罪释放。目睹这一切的阿乐心痛万分,决定以身试险,令亚伟原形毕露。

  • 2020 8.0

    终将光明

    暂无剧情简介

  • 2014 9.0

    神雕侠侣2014

    杨过(陈晓 饰)是杨康之子,于偶然之中被郭靖(郑国霖 饰)和黄蓉(杨明娜 饰)夫妇收留,然而杨过虽有极高的武学天赋却生性顽劣四处招惹是非闯下大祸,郭靖夫妇无奈之下将他送往全真教,希望师傅能够好好调教。   无法忍受苛刻森严的教规和苦不堪言的日子,杨过决定逃跑,却在误打误撞之中闯入了禁地古墓之中,在那里邂逅了恍若天人的小龙女(陈妍希 饰),就这样,杨过成为了小龙女的徒弟,修习古墓派武功,随着时间的推移,杨过和小龙女之间渐渐产生了超越于师徒之上的感情。李莫愁(张馨予 饰)的闯入使杨过和小龙女被卷入了剪不断理还乱的江湖纷争之中,他们所要面对的,不仅是明争暗斗腥风血雨,还有漫长的十六年的别离。

  • 2015 2.0

    生存回圈

    被俘虏的人,面对即将到来的处决,五十个陌生人被迫选择一个值得生活的人。

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